PRINTS
NOISE_ScanLAB Projects_Prints
We present two films NOISE//01 and NOISE//02. Each film take us on a series of orbits around a single, unedited, scan captured in Berlin in November 2013. The camera journeys through the droning spheres of error and cataclysmic arrays of
NOISE_ScanLAB Projects_Prints
We present two films NOISE//01 and NOISE//02. Each film take us on a series of orbits around a single, unedited, scan captured in Berlin in November 2013. The camera journeys through the droning spheres of error and cataclysmic arrays of
‘Skew’
Hand printed by Jonathan Comerford of Pellafort Press Print Studio Skew_2 Jane Dillon, 2013 85 x 85cm Screen-print, Acrylic box frame Edition of 10 Price: £545 (incl. VAT) Framed
‘Skew’
Hand printed by Jonathan Comerford of Pellafort Press Print Studio Skew_2 Jane Dillon, 2013 85 x 85cm Screen-print, Acrylic box frame Edition of 10 Price: £545 (incl. VAT) Framed
‘Four in One’
Hand printed by Jonathan Comerford of Pellafort Press Print Studio
Jane Dillon
Jane Dillon (née Young) is a British designer and artist who has made significant contributions to furniture and lighting design across America and Europe. One of the few female international designers of her generation, her work encompassed contract and domestic
Jane Dillon
Jane Dillon (née Young) is a British designer and artist who has made significant contributions to furniture and lighting design across America and Europe. One of the few female international designers of her generation, her work encompassed contract and domestic
Four In One_12th December – 28th February
‘The constellation (placement above or below, left or right, etc.) as well as the boundaries (firm or loose contact, separation) change the appearance of colors.’ – Joseph Albers (1965) ‘When I decided to make these screenprints it was because I wanted to
Four In One_12th December – 28th February
‘The constellation (placement above or below, left or right, etc.) as well as the boundaries (firm or loose contact, separation) change the appearance of colors.’ – Joseph Albers (1965) ‘When I decided to make these screenprints it was because I wanted to
